Bookshelf

I've created this section to explore convergences in literature, art, and science, embracing a position of radical holism; a cognitive tool I use to reimagine seemingly opposing ideas and topics, exposing their commonalities. I do this by first reframing everything as storytelling, where we don't pursue truth but coherence. Conflicts are then merely ploys to drive the narrative forward. Somewhere, sometime, it all works out. The best stories are the ones that can be lived--that we read and write and fade into. Storytelling, as such, is our pursuit of these possibilities.

“There are only two or three human stories, and they go on repeating themselves as fiercely as if they had never happened before.” ― Willa Cather, O Pioneers!

Embracing The Possibilities

It was the mid-1950s when physicist Hugh Everett III formally introduced the "Many Worlds" interpretation of quantum mechanics to help explain quantum phenomena such as superposition. Prior to measurement subatomic particles are not assigned to a specific location. The location is a distribution of possibilities, all trajectories, all places. We might think of this as a point in geometry. Imagine that when we look at the point, it is happily point-like, but should we turn around, its borders suddenly get hazy, extending to all locations. The act of looking in this imaginative case is more concretely a measurement. After making a measurement, the possibilities have collapsed. We arrive at a single outcome or point, consistent with our experience of things such as points never occupying two places at once. To the question, "Where is this thing that we have measured?" we conclude, uncontroversially, "Well, it's here." But this sounds quite strange. By what physical mechanism did the possibilities actually collapse? We must assign some special significance to the act of measuring (of interacting with a system). Measurement is somehow creating reality, which, again, is not something scientists are prepared to do. Yet with all of the plausible trajectories suddenly gone after measurement, we must either admit that the observer is part of the mathematical description here or that those possibilities remain, as the mathematical description does not clearly demonstrate why, short of there being something magical in the measurement act, the probabilities for the alternative trajectories should go to zero.
Everett resolved this by assuming the possibilities (mathematically, that is) must persist, and whether this also implies a more familiar, actual existence, such as parallel realities, is a matter of debate. In the imaginative interpretation, the alternative possibilities play out on distinct branches of space-time. Parallel realities? It's not clear. But whether this is correct is not very important for our purposes. Everett provided a model or interpretation that simply helps us understand a mathematically perplexing result--that mathematical descriptions of reality tend to exist independently of our perceptual experiences or measurement devices. Math tells us what is real, as there is no obvious rule that human experience must reveal physical reality. Neuroscience research supports the notion of truth construction. What we can do with some skill is tell stories and build interpretative models. We can pretend. We can act as if. And while this is all very powerful, it does not constitute knowledge. It is knowledge only insofar as certain ways of pretending can be more or less useful. The distinction between useful and useless questions is equivalent to good and bad models. Everett has given us a model. It frames our line of questioning. Let us, so to speak, imagine this to be true and see where it takes us.

Models are therefore tools for thinking and questioning. While parallel realities or many worlds may house all of the alternative outcomes, never to converge, this is not the case with models. Many seemingly different models from art, philosophy, and history to science and math, since they originate in the brain, converge throughout the natural world in meaningful and abstract ways. It is true that math and art, which are seemingly distinct in appearance, do converge in aesthetic experiences. What draws the brain in is a sense of novelty and beauty. But the meaning of these experiences, and words like "novelty" and "beauty," is at bedrock built from primitive building blocks. For example, an appreciation of beauty might be a mathematical model in the brain that helps us detect symmetry; it is not a matter-of-fact description. It is a proposal. Pretending in this way -- chasing symmetry and beauty of this sort -- has benefited others. And so, the story lives on. Importantly, we constantly evaluate models. We can even deny this particular description of beauty and find alternative models. But throughout this model selection and rejection process, reality takes on new meaning. Like Everett in his "Many Worlds" model, we must discard the familiar idea of reality as a single, fixed reference point, comprised of rigid truths and facts. Perhaps, more unsettling is that we often derive meaning from something like a fixed reference point--a self. While we might discard this fact begrudgingly, both selfhood and reality are nevertheless given new life in the strange realm of the possible. In the mid-20th century, Everett implored that we accept mathematical interpretations and thinking as fundamental. And this is our ultimate quest in the 21st century. In art and science, as in the history of humanity's searching, our current task is to move away from the fleeting moments and experiences. It is to understand the engine that generates these experiences and creates meaning. Such an engine operates like a magician, with some nuance. Truth, for the magician, is the process or craft that makes the illusion work. It is through the art of masterfully pretending that the magician defines truth. But we might challenge this truth, stating "no, here is the correct interpretation." Taken together, the possible interpretations do not readily collapse. The truth is actually the distribution of all possible interpretations. The classic magician, however, wants to deny these possibilities, shrinking the set of interpretations, until the unbelievable is undeniably real. That is because the magician is an entertainer. When entertainment stops and enlightenment begins, our understanding of truth construction is far from the magicians of old, as we are anything but entertained by the multiplicity of viable interpretations.

Take Russian nesting dolls as an additional analogy. There's a single doll or figurine but look closely and it's also many dolls. The largest doll contains successively smaller versions of itself. Each version may appear subtly different, yet they are members of a class, like a family, united by a common theme, though the theme is not defined by a single doll. The theme is abstract. It is an aggregate or approximation. It is, in a sense, a model. Each doll belongs to a distribution. So, what about the grand distribution in the case of human experience. What is meaning? How do we find purpose in the world? What are minds? What is consciousness? Are my choices truly free? On this road, we must travel from individual to individual, model to model, and possibility to possibility in search of our common, human narrative. I developed this section as a series of articles inspired by my idiosyncratic book selections. I will read anything without judgement in search of what unites us. If it is meaningful to someone, it is part of the distribution. Let's prepare for the path ahead.

Battling the illusion

We cannot move down the road unless we can first overcome the illusion that our limited perspective is complete. Although we can’t detach ourselves from the only thing that seems real–our thoughts, ideas, and senses–we can lessen the illusion’s influence by realizing that these seemingly unique features about ourselves–that give us a sense of identity–are truly borrowed, transient, and very much incomplete. We must make the choice to invent and discard, and generate anew–to become seekers of models and enthusiasts of the abstract. In time, what was once a single road — an isolated “I”, “she”, “he”, “they”, or “me” — may split; soon after, this distinct road appears worn. In fact, it seems, someone else may have traveled on it. And yet in moving further along the terrain becomes familiar. Among the repeated scenes — the colors and shadows that move as they had always moved — it is no longer clear if there are ever distinct roads or travelers. We realize like Whitman or Emerson that hidden within the parts there’s a representation of itself. We see, that is, the common theme uniting the nesting dolls.

“The world is emblematic. Parts of speech are metaphors, because the whole of nature is a metaphor of the human mind.”

To clarify, the pages’ title, the “Bookshelf,” is somewhat obvious in meaning, and yet this common sense definition is so remarkable in its ordinariness that it must be hiding something of great significance. At one level, a bookshelf reflects different genres, different authors and times. At another, it is the activity of neurons, as if imprinted on pages, a kind of record that states, “this is how I saw it.” And it is in this way, with our neurons firing in response to the words on pages, that we are never far from the past whenever we are close to books, even as we invent startling new futures. To the Bookshelf, a new but ancient story awaits–together. 

Bookshelf
Joel Kowalewski

In Search of Freedom in the Free Will Debate

One of the big philosophical and religious questions is our capacity to freely choose our actions. Is choice a clever ruse? Are there no true alternatives? Thinkers like the classical mathematicians Laplace and Newton believed the world was mechanical and predictable. Humans were reduced to mathematical objects. If human action seemed less predictable than the planets and stars visible in the night sky, it was perhaps due to ignorance alone. Newton, grappling with the ambiguity of human nature, would assign absolute knowledge to equations, and the system that governed the stars became, for him, the divine Great Mathematician. Thinkers who adopted this framework, embracing mathematical divinity, interpreted the cosmos as the mind of God, with human perception being an imperfect model or proxy of that mind. But the mere existence of a divine, all-knowing, all-seeing entity, process, or system implied that anything could be possible—a free choice could indeed be free, willed from on high by whatever decides the fate of the cosmos. This divine Will was distributed, with humans receiving the greatest proportion. But the question hasn’t really gone away. New perspectives always emerge, creating spaces just large enough to preserve these historical views. Scientists continuing the debate are now wondering if we’ve been too accommodating—bending science and math to fit a world of our imagination, perhaps at the expense of truth. Neuroscience, an intellectual tradition that emerged from philosophy and psychology, threatens to subsume its origins. Fields that were once independent, under pressure to prove their worth using

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Bookshelf
Joel Kowalewski

A Sense of Self and a Sense of Nothing

Observe any public dialogue and lines of division are apparent. Yascha Mounk, in The Identity Trap, warns that this strict polarization, if unchecked, will slowly deny the democratic principles that have kept authoritarian influences at bay. The seeds of unrest are inevitably objects of the past. But it is never clear where or how far back to look. Mounk begins with the identity synthesis; initially, an arcane field of thought it has steadily grown in popularity alongside social media and the movement of graduates from elite (typically liberal) universities into positions of influence. What began as a well-intentioned, strong identitarian position to make instances of oppression more visible eventually suppressed dialogue. The Identity Trap, as Mounk puts it, emerges when an oppressed or marginalized group denies the relevance of outside perspective. Truth becomes personal experience. Relativism of this sort is not however dependent on the identity thesis alone. Mounk notes the indemnity thesis is an extension of postmodernist thought. Postmodernism became a dominant intellectual tradition after World Wars I and II. It was/is an aggressive revaluation of truth and fact, suggesting that truth wasn’t something “out there,” a fact of the world; it was constructed. Although this sounds nihilistic, it wasn’t necessarily a denial of all truth and virtue but an interpretative shift. Truth, for a thinker like Derrida, was methodological. Intellectual work was deconstructive—meaning that it was aimed not at uncovering absolute truths, but revealing the cracks, so to speak, in claims that such absolute truths actually existed. The goal,

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Bookshelf
Joel Kowalewski

An Infinity of Doubles: Into the mirror world of Naomi Klein’s book Doppelganger

Doppelgangers or doubles have been a fixture in literature from the works of Dostoevsky to Robert Louis Stevenson’s famous, Doctor Jekyll and Mr. Hyde. A characteristic of these “doubling” stories is that they are almost always unsettling. Typically writing on political and economic topics, Naomi Klein takes a more personal turn in her recent book, Doppelganger, while not entirely leaving her outspoken liberal and anti-capitalist positions. Her last books focused on corporations and the manipulative strategies they use to drive interest in their products and increase profitability. She has emphasized that these strategies appear not only in economics but also as tools to control or manipulate people for political gain in what she calls the Shock Doctrine. Her latest book, Doppelganger, turns to corporate tech. But it is more directly an account of her experience being mistaken for the writer and increasingly far right political pundit, Naomi Wolf. This leads to commentary on how technology and the capitalistic playbook have commodified experience. Young people, she argues, as an example, are pressured to construct brands—being so many selves that any attempt at an identity beneath the gameplaying and brand construction only pushes them further into the mirror world, a surreal digital world that extends to everyone; a world of divisive narratives—”us vs. them” logic—that meet society’s superficial needs. Chief among these is the need to make the world sensible; simplifying narratives—racial, class, gender, and political profiling—although socially destructive, are addictively self-affirming in an unsettled world. Klein goes into some of these

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Bookshelf
Joel Kowalewski

Moralizing, Mythologizing, and the Future of Nobel Prizes

I have written elsewhere on the transition of universities to businesses with economic interests that aren’t any different from corporations—marketing and branding strategies are not the stuff of imagined boardrooms, shady figures, and questionable ethics; they apply equally to universities, and the student is the customer/client. With the award of the 2023 Nobel Prize for Physiology or Medicine, science has become increasingly corportized.   Before winning the award, mRNA vaccines had been controversial. Many doubted their effectiveness when compared to traditional methods, and there were other constraints, ultimately resolved through later technological developments, that turned the research into a financially risky bet. Under these pressures, the inventors were essentially pushed out of their academic posts and had little choice but to continue this research in industry. COVID-19 accelerated the research, and alongside much needed technological developments for portable storage and transport, mRNA vaccines would become a tremendous success with a complex origin story ripe for mythologizing. The public dialogue around this new hero myth is on the evil, corrupt forces of the university, suppressing our heroes. But fortunately, as if real life had been written by Any Rand, the heroes did escape to the free market, and it is only here that they could save the world.  We can’t help but trivialize the university in this tale—to wonder how surprisingly broken it is and whether it should even exist. A tendency to moralize here suggests that the public perceives science and the university as independent, non-corporate or non-economic entities (often

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Bookshelf
Joel Kowalewski

The Allure of Capitalism: The Rise of Risk Aversion and the Fall of Innovation.

“Whither is fled the visionary gleam? / Where is it now, the glory and the dream?” William Wordsworth Ode: Intimations of Immortality Tech allure undeniably abounds. The pioneer journey, the migration from east to west with the dreams of wealth and utopia is eternal. Novelist Edward Bellamy once had dreams of a socialist utopia, writing in Looking Backward about a man who wakes up at a future time of peace, prosperity, and equality. But unlike the novel, it’s not clear where reality begins or ends.  A history of tech is the living dream; the 49ers and the Gold Rush and the aesthetic brilliance, the flowing pastures and valleys of Central and Northern California. It’s the confluence of money and poetry straining against the likes of Steinbeck and Kerouac, as if it occupies a deeply poetic place but the words just don’t fit. And as the words have slowly failed, the poetic energy has risen and is burning off with the many hopes of action, change and revolution. This is the pioneer myth.  Myths express nonsense and truth and can be socially positive when this tension persists. The Silicon Valley tech mythology is however increasingly alluring because it denies the tension, making the myth lived or literal. This literal interpretation of the tech mythos likely originates in the word “innovation.” Innovation dates back to Ancient Greek word kainos or “new” and the later Latin verb innovare. It appears in 13th century legal documents with negative connotations, implying to renew or alter, presumably to change needlessly or corrupt.

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Bookshelf
Joel Kowalewski

Embracing Fictions: A Commentary on the Book Spell Bound

From earie noises, bizarre coincidences, synchronicities, time slippage, and shelves and doors that seemingly open and close on their own to the unexplained light patterns in the night sky I remain fascinated by the firsthand accounts of what may be inappropriately labeled paranormal or supernatural phenomena. My interest is not as a skeptic or debunker per se because these efforts reflect the opposite extreme, an absurd other-worldly confidence in scientific verification. If it cannot be verified by its methods, it isn’t meaningful. Yet science is an invention, a very useful one, but it’s imbued with human fragility. There are, I think, natural, and I want to emphasize natural here, causes for everything, while at the same time, a portion of these fall outside scientific methods. To fully understand what I mean here, scientific methods can’t be viewed as an impersonal set of tools that overcome bias. A tool must be observed, and its capabilities (what it can do) are a matter of perception, which depends on experience. Professional scientists are trained in a very specific way—in highly controlled environments, insuring that through their training, any rough edges or individual differences are lessened; this is critically important in making the whole enterprise work as this shared training provides some assurance of future consensus; at some point, scientists look at the experimental findings and converge on an interpretation; outside of science, outside of that shared training, this isn’t guaranteed. For the sake of making everything work, we therefore have injected bias. And

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