Bookshelf

I've created this section to explore convergences in literature, art, and science, embracing a position of radical holism; a cognitive tool I use to reimagine seemingly opposing ideas and topics, exposing their commonalities. I do this by first reframing everything as storytelling. Conflicts are then merely ploys to drive the narrative forward. Somewhere, sometime, it all works out.

“There are only two or three human stories, and they go on repeating themselves as fiercely as if they had never happened before.” ― Willa Cather, O Pioneers!

Many models, Converging

It was the mid 1950s when physicist Hugh Everett III formally introduced the "many worlds" interpretation of quantum mechanics, suggesting "parallel realities" help explain quantum phenomena such as superposition (e.g. prior to measurement subatomic particles exist as possibilities or mathematical objects; neither here nor there but all trajectories, all places). Though objects, for instance, are experienced as being in specific locations, "many worlds" popularly understood (by which I mean Everett's original intent, while still abstract, was mathematical, without requiring many actual worlds) explains that possibilities (e.g. the other possible locations that are not experienced) do not collapse to a single location. This is merely our experience. Instead, the other possibilities (mathematically, that is) persist, and whether this also implies actual existence is a matter of debate. In the imaginative take, the alternative scenarios play out on distinct branches of space-time, parallel realities? It's not really clear. Whether this is correct is not very important, however. Everett provided a model. Models are tools for thinking and questioning. While parallel realities or many worlds may house all of the alternative outcomes, never to converge, this is not the case with models. Many seemingly different models from art, philosophy, and history to science and math, since they originate in the brain, converge throughout the natural world in meaningful and abstract ways. It is true that math and art, seemingly distinct in appearance, converge in aesthetic experiences. What draws the brain in is a sense of novelty and beauty. But the meaning of these experiences, and words like "novelty" and "beauty," is at bedrock built from primitive building blocks (for example, an appreciation of beauty can be seen as a mathematical model that helps us detect symmetry, which, historically, may have been very important; we are always free to evaluate this model, deny it, and find alternative models, but we must admit that reality is itself a model and our sense of self is equally a model; in other words, we must accept mathematical interpretation and thinking as fundamental). And this is the ultimate quest, as in art and science, as in the history of humanity's searching--to move away from fleeting moments and experiences to an understanding of the engine that generates these experiences and creates meaning.  While it sounds like "new age" mysticism, this "engine" is simply another way to think about a mathematical model.

To clarify, models are not photorealistic, and yet they are real, like in the way that dreams and imaginings play with the familiar colors and forms of the natural world; the quality that makes them "unreal" is just the unexpected convergence of these familiar forms and colors;  we can think of our view (or perception) of the world as a model embedded in other models, embedded in more models, continuously. This complexity, of ceaseless divisions, creates the perceptual illusion that things, people, and studies, from Alzheimer's and cancer to quantum gravity and ancient history, can be completely distinct. Entire branches of science, such as complexity, science insist on studying emergent patterns while strangely denying the mathematical processes that generate these patterns for fear that even with knowledge of these processes, we might fail to accurately predict the emergent patterns. In truth, these are likely meaningless variations, points of discussion like poems or artwork that make no scientific headway. It is the illusion sneaking up on us again--that our incomplete, isolated perspective fully represents reality, so much so that complexity science has influenced the development of "systems thinking," an analytical approach that places emphasis on holism while strangely rejecting simple, foundational models. When we imagine the world is "whole" in this limited sense, convinced that our only chance at truth is in the detection of imperceptible patterns amid complex systems, we make science inductive (conclusions from observation), rejecting the deductive logic (conclusions from laws or axioms) that has characterized science for 100s of years. An authentic holistic analysis, then, should entail less worrying about the observable world and more focus on the abstract mathematical principles that may not precisely predict the world as we see it, but describe a far richer, deeper one that resides beneath it. And it is from these themes that we can deduce--making sense of the madness above.

Take, for example, Russian nesting dolls as an analogy. There's a single doll or figurine but look closely and it's also many dolls. The largest doll contains successively smaller versions of itself. Each version may appear subtly different, yet they are members of a class, like a family, united by a common theme, though the theme is not in one doll. The theme is abstract, an aggregate or approximation. It is, in a sense, a model. So, is it the theme or the variation that is the point? It would seem as though the theme is always the goal. Each doll points to the generative model, and that is our goal. That's the road we must travel, hopping from individual to individual in search of our common narrative.

Battling the illusion

We cannot move down the road unless we can first overcome the illusion that our limited perspective is complete. Although we can’t detach ourselves from the only thing that seems real–our thoughts, ideas, and senses–we can lessen the illusion’s influence by realizing that these seemingly unique features about ourselves–that give us a sense of identity–are truly borrowed, transient, and very much incomplete. We must make the choice to invent and discard, and generate anew–to become seekers of models and enthusiasts of the abstract. In time, what was once a single road — an isolated “I”, “she”, “he”, “they”, or “me” — may split; soon after, this distinct road appears worn. In fact, it seems, someone else may have traveled on it. And yet in moving further along the terrain becomes familiar. Among the repeated scenes — the colors and shadows that move as they had always moved — it is no longer clear if there are ever distinct roads or travelers. We realize like Whitman or Emerson that hidden within the parts there’s a representation of itself. We see, that is, the common theme uniting the nesting dolls.

“The world is emblematic. Parts of speech are metaphors, because the whole of nature is a metaphor of the human mind.”

I’ve created this section to explore convergences in literature, art, and science. Each discipline is likened to the nesting dolls discussed above. The concept of the bookshelf is equally symbolic. At one level, it reflects different genres, different authors and times. At another, it is the activity of neurons, as if imprinted on pages, a kind of record stating, “this is how I saw it.” And it is in this way, with our neurons firing in response to the words on pages, that we are never far from the past whenever we are close to books, even as we invent startingly new futures. Let’s explore the Bookshelf and write a new but ancient story–together. 

Bookshelf
Joel Kowalewski

In Search of Freedom in the Free Will Debate

One of the big philosophical and religious questions is our capacity to freely choose our actions. Is choice a clever ruse? Are there no true alternatives? Thinkers like the classical mathematicians Laplace and Newton believed the world was mechanical and predictable. Humans were reduced to mathematical objects. If human action seemed less predictable than the planets and stars visible in the night sky, it was perhaps due to ignorance alone. Newton, grappling with the ambiguity of human nature, would assign absolute knowledge to equations, and the system that governed the stars became, for him, the divine Great Mathematician. Thinkers who adopted this framework, embracing mathematical divinity, interpreted the cosmos as the mind of God, with human perception being an imperfect model or proxy of that mind. But the mere existence of a divine, all-knowing, all-seeing entity, process, or system implied that anything could be possible—a free choice could indeed be free, willed from on high by whatever decides the fate of the cosmos. This divine Will was distributed, with humans receiving the greatest proportion. But the question hasn’t really gone away. New perspectives always emerge, creating spaces just large enough to preserve these historical views. Scientists continuing the debate are now wondering if we’ve been too accommodating—bending science and math to fit a world of our imagination, perhaps at the expense of truth. Neuroscience, an intellectual tradition that emerged from philosophy and psychology, threatens to subsume its origins. Fields that were once independent, under pressure to prove their worth using

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Bookshelf
Joel Kowalewski

A Sense of Self and a Sense of Nothing

Observe any public dialogue and lines of division are apparent. Yascha Mounk, in The Identity Trap, warns that this strict polarization, if unchecked, will slowly deny the democratic principles that have kept authoritarian influences at bay. The seeds of unrest are inevitably objects of the past. But it is never clear where or how far back to look. Mounk begins with the identity synthesis; initially, an arcane field of thought it has steadily grown in popularity alongside social media and the movement of graduates from elite (typically liberal) universities into positions of influence. What began as a well-intentioned, strong identitarian position to make instances of oppression more visible eventually suppressed dialogue. The Identity Trap, as Mounk puts it, emerges when an oppressed or marginalized group denies the relevance of outside perspective. Truth becomes personal experience. Relativism of this sort is not however dependent on the identity thesis alone. Mounk notes the indemnity thesis is an extension of postmodernist thought. Postmodernism became a dominant intellectual tradition after World Wars I and II. It was/is an aggressive revaluation of truth and fact, suggesting that truth wasn’t something “out there,” a fact of the world; it was constructed. Although this sounds nihilistic, it wasn’t necessarily a denial of all truth and virtue but an interpretative shift. Truth, for a thinker like Derrida, was methodological. Intellectual work was deconstructive—meaning that it was aimed not at uncovering absolute truths, but revealing the cracks, so to speak, in claims that such absolute truths actually existed. The goal,

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Bookshelf
Joel Kowalewski

An Infinity of Doubles: Into the mirror world of Naomi Klein’s book Doppelganger

Doppelgangers or doubles have been a fixture in literature from the works of Dostoevsky to Robert Louis Stevenson’s famous, Doctor Jekyll and Mr. Hyde. A characteristic of these “doubling” stories is that they are almost always unsettling. Typically writing on political and economic topics, Naomi Klein takes a more personal turn in her recent book, Doppelganger, while not entirely leaving her outspoken liberal and anti-capitalist positions. Her last books focused on corporations and the manipulative strategies they use to drive interest in their products and increase profitability. She has emphasized that these strategies appear not only in economics but also as tools to control or manipulate people for political gain in what she calls the Shock Doctrine. Her latest book, Doppelganger, turns to corporate tech. But it is more directly an account of her experience being mistaken for the writer and increasingly far right political pundit, Naomi Wolf. This leads to commentary on how technology and the capitalistic playbook have commodified experience. Young people, she argues, as an example, are pressured to construct brands—being so many selves that any attempt at an identity beneath the gameplaying and brand construction only pushes them further into the mirror world, a surreal digital world that extends to everyone; a world of divisive narratives—”us vs. them” logic—that meet society’s superficial needs. Chief among these is the need to make the world sensible; simplifying narratives—racial, class, gender, and political profiling—although socially destructive, are addictively self-affirming in an unsettled world. Klein goes into some of these

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Bookshelf
Joel Kowalewski

Moralizing, Mythologizing, and the Future of Nobel Prizes

I have written elsewhere on the transition of universities to businesses with economic interests that aren’t any different from corporations—marketing and branding strategies are not the stuff of imagined boardrooms, shady figures, and questionable ethics; they apply equally to universities, and the student is the customer/client. With the award of the 2023 Nobel Prize for Physiology or Medicine, science has become increasingly corportized.   Before winning the award, mRNA vaccines had been controversial. Many doubted their effectiveness when compared to traditional methods, and there were other constraints, ultimately resolved through later technological developments, that turned the research into a financially risky bet. Under these pressures, the inventors were essentially pushed out of their academic posts and had little choice but to continue this research in industry. COVID-19 accelerated the research, and alongside much needed technological developments for portable storage and transport, mRNA vaccines would become a tremendous success with a complex origin story ripe for mythologizing. The public dialogue around this new hero myth is on the evil, corrupt forces of the university, suppressing our heroes. But fortunately, as if real life had been written by Any Rand, the heroes did escape to the free market, and it is only here that they could save the world.  We can’t help but trivialize the university in this tale—to wonder how surprisingly broken it is and whether it should even exist. A tendency to moralize here suggests that the public perceives science and the university as independent, non-corporate or non-economic entities (often

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Bookshelf
Joel Kowalewski

The Allure of Capitalism: The Rise of Risk Aversion and the Fall of Innovation.

“Whither is fled the visionary gleam? / Where is it now, the glory and the dream?” William Wordsworth Ode: Intimations of Immortality Tech allure undeniably abounds. The pioneer journey, the migration from east to west with the dreams of wealth and utopia is eternal. Novelist Edward Bellamy once had dreams of a socialist utopia, writing in Looking Backward about a man who wakes up at a future time of peace, prosperity, and equality. But unlike the novel, it’s not clear where reality begins or ends.  A history of tech is the living dream; the 49ers and the Gold Rush and the aesthetic brilliance, the flowing pastures and valleys of Central and Northern California. It’s the confluence of money and poetry straining against the likes of Steinbeck and Kerouac, as if it occupies a deeply poetic place but the words just don’t fit. And as the words have slowly failed, the poetic energy has risen and is burning off with the many hopes of action, change and revolution. This is the pioneer myth.  Myths express nonsense and truth and can be socially positive when this tension persists. The Silicon Valley tech mythology is however increasingly alluring because it denies the tension, making the myth lived or literal. This literal interpretation of the tech mythos likely originates in the word “innovation.” Innovation dates back to Ancient Greek word kainos or “new” and the later Latin verb innovare. It appears in 13th century legal documents with negative connotations, implying to renew or alter, presumably to change needlessly or corrupt.

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Bookshelf
Joel Kowalewski

Embracing Fictions: A Commentary on the Book Spell Bound

From earie noises, bizarre coincidences, synchronicities, time slippage, and shelves and doors that seemingly open and close on their own to the unexplained light patterns in the night sky I remain fascinated by the firsthand accounts of what may be inappropriately labeled paranormal or supernatural phenomena. My interest is not as a skeptic or debunker per se because these efforts reflect the opposite extreme, an absurd other-worldly confidence in scientific verification. If it cannot be verified by its methods, it isn’t meaningful. Yet science is an invention, a very useful one, but it’s imbued with human fragility. There are, I think, natural, and I want to emphasize natural here, causes for everything, while at the same time, a portion of these fall outside scientific methods. To fully understand what I mean here, scientific methods can’t be viewed as an impersonal set of tools that overcome bias. A tool must be observed, and its capabilities (what it can do) are a matter of perception, which depends on experience. Professional scientists are trained in a very specific way—in highly controlled environments, insuring that through their training, any rough edges or individual differences are lessened; this is critically important in making the whole enterprise work as this shared training provides some assurance of future consensus; at some point, scientists look at the experimental findings and converge on an interpretation; outside of science, outside of that shared training, this isn’t guaranteed. For the sake of making everything work, we therefore have injected bias. And

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